http://hdl.handle.net/11089/8372 Tue, 14 Apr 2026 12:51:31 GMT 2026-04-14T12:51:31Z https://dspace.uni.lodz.pl:443/bitstream/id/0811a2c0-d0a3-4591-bb8a-24ebf5e2e94c/ http://hdl.handle.net/11089/8372 http://hdl.handle.net/11089/8552 Wprowadzenie do rozważań o krytyce słuchowiskowej Pleszkun-Olejniczakowa, Elżbieta The article deals with the phenomenon of anti-rhetorical polemics in the Romanticism - its causes and consequences. In the Romanticism the criticism of the rhetorical theory of rhetoric was accompanied by an anti-normative attitude. The aesthetic standards accepted by the Romanticists were the explanation for this somehow dual rebellion. The essay is an attempt to recreate the Romantic conceptions of style and the science of style. Research shows that the nineteenth century did not mean a complete rejection of rhetoric, but only a reduction in the theoretical issues. The didactic methods of grammar school and university seem to confirm the situation. Thu, 01 Jan 1998 00:00:00 GMT http://hdl.handle.net/11089/8552 1998-01-01T00:00:00Z http://hdl.handle.net/11089/8547 Leśmianowska ,,ontologia" nicości Woźniak-Łabieniec, Marzena The aim of the article is to present the senses ant contexts in which the concept of nothingness (and also * non-existence", “emptiness", a "vacuum” and “timelessness”) appears in the world presented in Bolesław Lesmian’s poems. The above-mentioned terms are the constructive elements of his poetic reality. The lyric “I” of Leśmian’s numerous poems is the poet, placing the world of his poetry on the borderland between existence and non-existence. Paradoxically, one might say that the poet has created a world which does not exist, though it is characterized by some specific qualities. Thus, there is no clear borderline between existence and nothingness. In the world presented by Bolesław Leśmian, absolute nothingness appears to be impossible. One can, however, identify a kind of transcendental nothingness, which is not the complete annihilation of everything, but only, as the poet put it, “a state of consciousness different from the consciousnes of existence”. There is also a category of immanent nothingness, which can be perceived either as a lack in existence (this sort of nothingness is typical of the protagonist from Pieśni kalekujące [The Crippling Songs] or as the annihilation o f individual existence. The second type of nothingness is frequently identified with non-existence. The concepts discussed here have been reified and materialized by the poet. They have become the agent or subject of action. Sometimes they are presented as the categories of space. Then their synonyms are “emptiness”, a “vacuum” and a “chasm” existing in timelessness. Nothingness is a category which, in the poems by Leśmian, defines not only the ontological status of all kinds of existence but also the drama o f the existential situation of characters living in the poetic world presented in the poems. Thu, 01 Jan 1998 00:00:00 GMT http://hdl.handle.net/11089/8547 1998-01-01T00:00:00Z http://hdl.handle.net/11089/8543 Bóg i świat w poezji Bolesława Leśmiana Cieślak, Tomasz The article is a tentative analysis of the construction of reality created in Bolesław Lešmian’s lyric poetry; an attempt to specify its most important elements, the relationships between them and the main mechanisms which control the poetical world of the author of Łąka [The Meadow). The discussion centres on the motifs of existence and non-existence, death and nothingness, time and space, as well as the creation of Leśmian’s characters, especially God, who is presented in a variety of images (from the presentation of the poetic consequences of Nietzsche’s conception of God’s death, depriving him of his omnipotence, placing him outside the world and his humanization to his pantheistic diffusion into the reality created in the poems). Thu, 01 Jan 1998 00:00:00 GMT http://hdl.handle.net/11089/8543 1998-01-01T00:00:00Z http://hdl.handle.net/11089/8538 Romantyczny model retoryki i nauki o stylu. Przegląd problematyki Bogołębska, Barbara The article deals with the phenomenon of anti-rhetorical polemics in the Romanticism - its causes and consequences. In the Romanticism the criticism of the rhetorical theory of rhetoric was accompanied by an anti-normative attitude. The aesthetic standards accepted by the Romanticists were the explanation for this somehow dual rebellion. The essay is an attempt to recreate the Romantic conceptions of style and the science of style. Research shows that the nineteenth century did not mean a complete rejection of rhetoric, but only a reduction in the theoretical issues. The didactic methods of grammar school and university seem to confirm the situation. Thu, 01 Jan 1998 00:00:00 GMT http://hdl.handle.net/11089/8538 1998-01-01T00:00:00Z