http://hdl.handle.net/11089/18375 Wed, 08 Apr 2026 11:58:43 GMT 2026-04-08T11:58:43Z https://dspace.uni.lodz.pl:443/bitstream/id/bdda5baa-20ab-4f3d-9af3-691cc0369917/ http://hdl.handle.net/11089/18375 http://hdl.handle.net/11089/18388 Filmy aktorskie o przygodach Asteriksa i Obeliksa jako przejaw obecności antyku we współczesnej kulturze audiowizualnej Stawiski, Maciej The films with actors about the adventures of Asterix and Obelix are an important part of the contemporary popular culture. The plot of these film is located in antiquity therefore ancient motives are common in them. It is very important to check if these motives are showed in the way which is consistent with historical truth. And it is very important to know how big their influence on popular perception on antiquity is. This article is a first step to answer these questions. It shows that some motives are showed correctly but some are presented incorrectly. It suggests also that some people may see druids through the prism of these films. Thu, 01 Jan 2015 00:00:00 GMT http://hdl.handle.net/11089/18388 2015-01-01T00:00:00Z http://hdl.handle.net/11089/18387 Rzeczywiste czy wyobrażone? Uszkodzenia, ubytki, deformacje posągów antycznych inspiracją dla multimedialnych działań wybranych artystów współczesnych Pawełczyk, Dominika In this article I would like to show the potential of the destroyed ancient sculptures and therefore to explore a variety of new themes and issues that may be generated through re-using the motives by the artists. I was especially interested in creators, who undertook a multimedial game with traditional sculpture representations, using the potential of performance art, photography, digital image processing and computer photomontage. Mary Duffy by her performative actions showed that the deformed body of the ancient sculpture forms also her everyday reality. The damaged statue of “Venus de Milo” has become a useful inspiration for stories about disability and discrimination. Maciej Osika chose the path of fantasy and aesthetisation of the damages. Graphic processed assemblies allowed him to tell us about the perfection of the human body, while Davide Bedoni decided to show that the sculptures can describe the infinite myth of harmony, which defects will be complemented by the portraits of contemporary icons of beauty. The technique of exploring the audience has been chosen by French artist Diane Ducruet by showing “Passengers” to the viewers. The artist used the facial photographs of her loved ones through which fragments of well known, damaged Louvre sculptures are barely noticeable. Ducruet talks about the elusiveness of life by those damaged portraits. Likewise all the artists mentioned above she also blurs the boundaries between what is real and what is imaginary. Thu, 01 Jan 2015 00:00:00 GMT http://hdl.handle.net/11089/18387 2015-01-01T00:00:00Z http://hdl.handle.net/11089/18386 Medialna rzeczywistość w „Truman Show” (1998) Petera Weira w perspektywie myśli gnostyckiej Kwiatkowski, Fryderyk In the author’s opinion the story depicted in "The Truman Show" (1998) by Peter Weir comprises a reinterpretation of a Gnostic myth about the liberation of a „divine spark” from the material world. In spite of the fact that the director did not know about Gnosticism before he started to make the film, the author of the article presents that many motifs in his work can be viewed through the ideas expressed in various Gnostic systems. The Gnostic notions were reinterpreted in "The Truman Show" on a fundamental level of the world being presented in as well as in the narrative structure of the movie. Thu, 01 Jan 2015 00:00:00 GMT http://hdl.handle.net/11089/18386 2015-01-01T00:00:00Z http://hdl.handle.net/11089/18385 Kairos a fotografia Kłosek, Sebastian Problem of time was widely discussed in Greek antiquity. Numerous definitions of time indicate that the phenomenon was not clear to the ancient people. Kairos was among of them. It described the unique moment, which was bringing to a halt normal course of time and allowed a change to happen. And nowadays, Kairos is still considered as faint moment that if not captured, disappears irretrievably. This paper analyzes the connection between Kairos and the contemporary art medium – photography, which main idea is to catch and hold the very special moments. Thu, 01 Jan 2015 00:00:00 GMT http://hdl.handle.net/11089/18385 2015-01-01T00:00:00Z