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<title>Acta Universitatis Lodziensis. Folia Germanica 17</title>
<link href="http://hdl.handle.net/11089/54614" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/11089/54614</id>
<updated>2026-04-03T21:01:27Z</updated>
<dc:date>2026-04-03T21:01:27Z</dc:date>
<entry>
<title>Freudowska teoria marzeń sennych w dziele Artura Schnitzlera Traumnovelle</title>
<link href="http://hdl.handle.net/11089/54650" rel="alternate"/>
<author>
<name>Janowska, Aleksandra</name>
</author>
<id>http://hdl.handle.net/11089/54650</id>
<updated>2025-02-18T02:00:58Z</updated>
<published>2023-12-31T00:00:00Z</published>
<summary type="text">Freudowska teoria marzeń sennych w dziele Artura Schnitzlera Traumnovelle
Janowska, Aleksandra
Interpreting dreams was an important aspect of Sigmund Freud’s life. In his statements and works, he repeated multiple times that a dream is the fulfilment of a wish. Dream analysis had a huge impact on his subsequent research, including psychoanalysis and the theory of the subconscious. Through his work he contributed to people starting to analyze their dreams, and they continue to do so to this day. However, the difficulty in analyzing the dreams was their transience and length. This meant that remembering them was often problematic. Freudian psychoanalysis and the interpretation of dreams were frequent motifs in Artur Schnitzler’s work. One of them is Traumnovelle, or Eyes Wide Shut. The aim of the article is to show how Freudian psychoanalysis is presented in the work of the Austrian writer and why the symbolism of dreams and its meaning are so important in the context of the discussed work.
</summary>
<dc:date>2023-12-31T00:00:00Z</dc:date>
</entry>
<entry>
<title>Motyw władzy w dramacie Bum Mariusa von Mayenburga</title>
<link href="http://hdl.handle.net/11089/54649" rel="alternate"/>
<author>
<name>Janowska, Aleksandra</name>
</author>
<id>http://hdl.handle.net/11089/54649</id>
<updated>2025-02-18T02:00:59Z</updated>
<published>2023-12-31T00:00:00Z</published>
<summary type="text">Motyw władzy w dramacie Bum Mariusa von Mayenburga
Janowska, Aleksandra
Power is the main theme of the play Bang, which polish premiered in 2019 and took place at the New Theater of Kazimierz Dejmek in Łódź. The play was directed based on the drama of the same title, written by the contemporary German author and playwright Marius von Mayenburg. The aim of the article is to analyze and describe the means by which the viewer has the opportunity to understand why the theme of power is highlighted against the background of others presented in the play and to answer the question of what is the reason for the main character Ralf Bang’s desire to exercise power even before his own birth.
</summary>
<dc:date>2023-12-31T00:00:00Z</dc:date>
</entry>
<entry>
<title>Środowisko zgierskiej haskali w świetle Sefer Zgierz, Mazkeretnetsach Le-Kehilayehudit Be-Polin</title>
<link href="http://hdl.handle.net/11089/54647" rel="alternate"/>
<author>
<name>Kucner, Monika</name>
</author>
<author>
<name>Gołaszewski, Marcin</name>
</author>
<id>http://hdl.handle.net/11089/54647</id>
<updated>2025-02-18T02:00:57Z</updated>
<published>2023-12-31T00:00:00Z</published>
<summary type="text">Środowisko zgierskiej haskali w świetle Sefer Zgierz, Mazkeretnetsach Le-Kehilayehudit Be-Polin
Kucner, Monika; Gołaszewski, Marcin
The Haskalah, as an intellectual movement among Jews, was a reformist trend of the late 18th century. In Zgierz, it only emerged in the 1860s. Its goal was to promote a new cultural ideal of the Jew as someone well-versed in the Torah while simultaneously integrating into the local community. Education, combating Jewish separatism, preserving identity, culture, and the Hebrew language, as well as the languages of local communities, were key tasks undertaken by the maskilim. Jewish Enlightenment was also manifested through active involvement in local government institutions, interactions with the Christian population, literary and journalistic activities. The following article attempts to outline the specific characteristics of this phenomenon in Zgierz, depicting its history, significance, and development.
</summary>
<dc:date>2023-12-31T00:00:00Z</dc:date>
</entry>
<entry>
<title>Rola czasu w kontekście terroru nazistowskiego. Analiza Noweli Szachowej Stefana Zweiga</title>
<link href="http://hdl.handle.net/11089/54648" rel="alternate"/>
<author>
<name>Wilk, Anna</name>
</author>
<id>http://hdl.handle.net/11089/54648</id>
<updated>2025-02-18T02:01:00Z</updated>
<published>2023-12-31T00:00:00Z</published>
<summary type="text">Rola czasu w kontekście terroru nazistowskiego. Analiza Noweli Szachowej Stefana Zweiga
Wilk, Anna
Stefan Zweig, an outstanding Austrian writer of the 20th century, referring to Johann Wolfgang Goethe’s theory of the novella, depicts in his The Royal Game an unheard story: the meeting of two talented chess players. It is a collision of two extremes, personifying barbarism and humanism. This article traces how Zweig employs time in his work on two levels: historical and psychological. A detailed analysis explores how Zweig portrays the realities of National Socialist terror and its impact on the human psyche.
</summary>
<dc:date>2023-12-31T00:00:00Z</dc:date>
</entry>
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