http://hdl.handle.net/11089/41312 2026-04-17T10:56:12Z 2026-04-17T10:56:12Z Hu, Zeyuan Tang, Jie Xie, Guixia http://hdl.handle.net/11089/41327 2022-03-26T02:56:37Z 2021-12-30T00:00:00Z

Book Reviews Hu, Zeyuan; Tang, Jie; Xie, Guixia

2021-12-30T00:00:00Z Korneliuk, Bohdan Moskvitina, Daria Byington, Danielle http://hdl.handle.net/11089/41328 2022-03-26T02:56:29Z 2021-12-30T00:00:00Z

Theatre Reviews Korneliuk, Bohdan; Moskvitina, Daria; Byington, Danielle

2021-12-30T00:00:00Z Campana, Joseph http://hdl.handle.net/11089/41326 2022-03-26T02:56:49Z 2021-12-30T00:00:00Z

Afterword: Posthumanism—Past, Present and Future Campana, Joseph

2021-12-30T00:00:00Z Fedorova, Elizaveta Tsirina Saiz Molina, Jose Haba Osca, Julia http://hdl.handle.net/11089/41325 2022-03-26T02:56:39Z 2021-12-30T00:00:00Z

Jan Kott is Dead, Long Live to the ˂“Hybrid”˃ Critic Fedorova, Elizaveta Tsirina; Saiz Molina, Jose; Haba Osca, Julia This article is a little tribute that a drama teacher, an editor and translator and a lecturer in English Literature would like to contribute to this Special Issue in Honour of Professor Dr Jan Kott, the most influential non-English speaking Shakespearean Critic in the second half of the 20th Century and early 21st Century. In the initial part of the essay we will overview Kott’s influence in the development of current Shakespearean tradition(s) in Spain from the early 1970s to the present day. In fact, his writings and critical views on William Shakespeare’s Works have been a decisive point in the development of new approaches to this playwright in some University Departments and Drama Schools in this country. The whole discussion will take the notion of hybrid and hybridization as the point of departure and we will draw some conclusions for discussing new critical thinking in Art (Science,) and Humanities.

2021-12-30T00:00:00Z