Internetowy Magazyn Filozoficzny Hybris 33 (2/2016)http://hdl.handle.net/11089/200942024-03-28T18:47:58Z2024-03-28T18:47:58ZTeizm, naturalizm i ewolucjaDziczek, Szymon Pawełhttp://hdl.handle.net/11089/202342018-02-01T11:21:07Z2016-01-01T00:00:00ZTeizm, naturalizm i ewolucja
Dziczek, Szymon Paweł
Recenzja książki: Daniel Dennett, Alvin Plantinga, Nauka i religia. Czy można je pogodzić?, Kraków: Copernicus Center Press, 2014
2016-01-01T00:00:00ZRozum, wiara i światłoTreppa, Zbigniewhttp://hdl.handle.net/11089/202332018-02-01T11:21:07Z2016-01-01T00:00:00ZRozum, wiara i światło
Treppa, Zbigniew
Recenzja książki: Paulina Tendera, Od filozofii światła do sztuki światła, Uniwersytet Jagielloński, The Polish Journal of the Arts and Culture (seria Estetyki i Krytyki) MONOGRAFIE, Kraków 2014
2016-01-01T00:00:00ZTragizm vs. Ironia – spór o sensowność „tego, co ludzkie”Kopeć, Annahttp://hdl.handle.net/11089/201462018-02-01T11:21:01Z2016-01-01T00:00:00ZTragizm vs. Ironia – spór o sensowność „tego, co ludzkie”
Kopeć, Anna
The article compares two approaches of subjectivity: ‘tragic
subjectivity’ and ‘ironic’ one. Both of them include different
anthropology. Tragic subjectivity is most fully expressed in
commitment to values. Tragic protagonist is the one who by acting
according to his commitment to values becomes self–conscious.
However, subjectivity which emerges from tragic vision cannot exist in
postmodern times, because of some reductions which postmodern
philosophy has brought.
Ironic subjectivity took the place of the tragic one. This subjectivity
manifests in negation. Ironic protagonist understands freedom as being
uncommitted, as an abstraction from the externality. This escape from
reality brings to the subject the feeling of self–doubt.
In the end of the article the author shows that ironic project is not a
remedy for the problems which appear from postmodernity and
suggests that new form of tragic vision (which again brings to the
notion of ‘humanity’ special content) is possible.
2016-01-01T00:00:00ZPoczątki kina. Rozważania filozoficzneBastek, Adamhttp://hdl.handle.net/11089/201422018-02-01T11:21:01Z2016-01-01T00:00:00ZPoczątki kina. Rozważania filozoficzne
Bastek, Adam
This article centres on the beginnings of the art of cinematography as
viewed from a philosophical perspective. Every art form has its
beginnings, and cinema is no exeption. Nevertheless, some film
theorists, as Jean Louis Baundry, have challenged this view: cinema has
no genesis and no single discovery from which it sprung. The purpose
of this article is to analyse these arguments in the light of the theories
found in Greek philosophy.
2016-01-01T00:00:00Z