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<title>Multicultural Shakespeare: Translation, Appropriation and Performance (2006) vol. 3</title>
<link href="http://hdl.handle.net/11089/1368" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/11089/1368</id>
<updated>2026-04-03T21:02:06Z</updated>
<dc:date>2026-04-03T21:02:06Z</dc:date>
<entry>
<title>Book Reviews and Theatre Revievs</title>
<link href="http://hdl.handle.net/11089/1500" rel="alternate"/>
<author>
<name>D'Auria, Veronica</name>
</author>
<author>
<name>Georgopolou, Xsenia</name>
</author>
<author>
<name>Silberstein, Tali</name>
</author>
<author>
<name>Piyas, Chakravorty</name>
</author>
<author>
<name>Rakitina, Ekaterina</name>
</author>
<author>
<name>Sadowska, Joanna</name>
</author>
<author>
<name>Silberstein, Tali</name>
</author>
<author>
<name>Zorin, Artyom</name>
</author>
<id>http://hdl.handle.net/11089/1500</id>
<updated>2019-03-15T09:35:24Z</updated>
<published>2006-01-01T00:00:00Z</published>
<summary type="text">Book Reviews and Theatre Revievs
D'Auria, Veronica; Georgopolou, Xsenia; Silberstein, Tali; Piyas, Chakravorty; Rakitina, Ekaterina; Sadowska, Joanna; Silberstein, Tali; Zorin, Artyom
</summary>
<dc:date>2006-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Scenes of Silence: "Titus Andronicus" and Nietzsche's Concept of Oneness</title>
<link href="http://hdl.handle.net/11089/1499" rel="alternate"/>
<author>
<name>Ramalho, Erick</name>
</author>
<id>http://hdl.handle.net/11089/1499</id>
<updated>2019-03-15T09:22:05Z</updated>
<published>2006-01-01T00:00:00Z</published>
<summary type="text">Scenes of Silence: "Titus Andronicus" and Nietzsche's Concept of Oneness
Ramalho, Erick
</summary>
<dc:date>2006-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Rereading Shakespeare's "Ophelia": Marcelo Marchiorio's Performance Aesthetics</title>
<link href="http://hdl.handle.net/11089/1498" rel="alternate"/>
<author>
<name>Stegh Camati, Anna</name>
</author>
<id>http://hdl.handle.net/11089/1498</id>
<updated>2019-03-15T09:20:24Z</updated>
<published>2006-01-01T00:00:00Z</published>
<summary type="text">Rereading Shakespeare's "Ophelia": Marcelo Marchiorio's Performance Aesthetics
Stegh Camati, Anna
</summary>
<dc:date>2006-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>From the Humbled King to the Pitied Adulteress. Localization of Shakespeare in Cao Yu</title>
<link href="http://hdl.handle.net/11089/1497" rel="alternate"/>
<author>
<name>Lihua, Chen</name>
</author>
<author>
<name>Hong, Chen</name>
</author>
<id>http://hdl.handle.net/11089/1497</id>
<updated>2019-03-15T09:19:02Z</updated>
<published>2006-01-01T00:00:00Z</published>
<summary type="text">From the Humbled King to the Pitied Adulteress. Localization of Shakespeare in Cao Yu
Lihua, Chen; Hong, Chen
</summary>
<dc:date>2006-01-01T00:00:00Z</dc:date>
</entry>
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