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Метод деконструкции в современной российской „новой драме”
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
Contemporary Russian ‘new drama’ is a controversy with a range of traditions in art, an attempt to protest against the established aesthetic forms which express the main line of modern theatre and drama. There is an idea ...
Проблема сценичности российской „новой драмы”
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The essay addresses the notion as ‘theatricality’ as such, its historically changing character and its specific qualities concerning the texts of Russian „new drama”. Following M. Lipovetsky,
B. Boymers and others the ...
„...i o niczym nie myśli”. Dramaturgia pustki Pawła Priażki
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article presents an analysis of genre transformations in the literary output of Pavel Pryazhko, who has been considered to be a leader of the youngest generation of Russia’s New Drama movement. Following a series of ...
„Драма сознания” Александра Строганова и Клима
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article is dedicated to modern Russian playwrights – Alexander Stroganov and Klim (real name Vladimir Klimenko), who mostly worked in monodrama genre. The article analyses comedy “Anglers by the grace of God” (“Udilschiki ...
Россия в зеркале современной драмы. Коллаж образа
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
This paper attempts to reconstruct the image of present-day Russia, as presented in the contemporary Russian theatre. Combining isolated fragments of new post-perestroika reality into a cohesive whole: the social status ...
Концепт войны: от истории к мифологии („Пир победителей” Александра Солженицына и „Марьино поле” Олега Богаева)
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article deals with the comparative analysis of two plays, “The Winners’ Feast” by Aleksandr Solzhenitsyn and “Maria’s Field” by Oleg Bogayev which, being united by the war theme, belong to different generations. More ...
„Тупые, дикие, идиоты” a nowy teatr w Rosji na przełomie XX i XXI wieku
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
In the Russian theatre, especially the postmodern one, since the turn of the 80s and 90s we have been able to observe that young theatre creators tend to adopt a defiant derisive attitude – both towards reality and to texts ...
Рецепция романтических моделей в драматургии эпохи постмодерна (на материале пьесы Дмитрия Липскерова „Семья уродов”)
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article shows how the romantic type of artistic mentality manifests itself in postmodern epoch. The main goal here is to study the reception of romantic plot, romantic heroes and conflict on the basis of Dmitriy ...
Использование известных сюжетов в русской эпической драме ХХ века
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article by V. Golovchiner examines the usage of a well-known cultural material in the Russian drama. The author distinguishes three types among its formats in Russian drama of the twentieth century.
V. Mayakovsky’s ...
Od „nowego realizmu” ku poszukiwaniom awangardowym. Kilka uwag o współczesnej dramaturgii rosyjskiej
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)
The article gives us some insight into the subsequent phases of development of contemporary Russian dramaturgy, which is illustrated by works of selected authors. For over two decades a new generation of playwrights has ...