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“Being Human”: Edward Bond’s Theories of Drama

dc.contributor.authorAllen, Daviden
dc.contributor.authorHandley, Agataen
dc.date.accessioned2018-04-03T11:45:32Z
dc.date.available2018-04-03T11:45:32Z
dc.date.issued2017-10-25en
dc.identifier.issn2084-574Xen
dc.identifier.urihttp://hdl.handle.net/11089/24403
dc.description.abstractThe terms of Bond’s theory are Manichean (innocent-corrupt, autonomous-ideologized etc.). His arguments are based in the assumption that there is a fundamental “humanity” that exists prior to socialization. In fact, the process of socialization begins at birth. As an account of child development, “radical innocence” does not stand up to close scrutiny. Arguably, however, Bond’s work escapes the confines of his own theory. It can be read, not in terms of the “ideologized” vs. the “autonomous” mind, but rather, in terms of “conscious” and “unconscious.” In Coffee (2000), Bond takes character of Nold on a journey into the Dantean hell of his own unconscious. He does not recover his “innocence,” but, rather, he has to face the darkness of both history and the psyche.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesText Matters;7en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0en
dc.subjectEdward Bonden
dc.subjectJungen
dc.subjectHolocausten
dc.subjectchild developmenten
dc.title“Being Human”: Edward Bond’s Theories of Dramaen
dc.page.number307-329en
dc.contributor.authorAffiliationMidland Actors Theatre, Birminghamen
dc.contributor.authorAffiliationUniversity of Łódźen
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dc.contributor.authorEmailnews@midlandactorstheatre.co.uken
dc.contributor.authorEmailagatagrazyna@gmail.comen
dc.identifier.doi10.1515/texmat-2017-0017en


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