Przeglądaj Multicultural Shakespeare: Translation, Appropriation and Performance (2016) vol. 14 według tematu "Desdemona"
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“I saw Othello’s visage in his mind”, or “White Mask, Black Handkerchif”: Satoshi Miyagi’s Mugen-Noh Othello and Translation Theory
(Lodz University Press, 2016-12-30)This paper tries to detect key elements in the translated performance of Shakespeare by focusing on Satoshi Miyagi’s “Mugen-Noh Othello” (literally meaning “Dreamy Illusion Noh play Othello”), first performed in Tokyo by ...