Acta Universitatis Lodziensis. Folia Linguistica Tom 050 (2016)Codzienność w mistrzowskim opracowaniu. W 100. rocznicę śmierci Henryka Sienkiewiczahttp://hdl.handle.net/11089/205322024-03-28T14:16:37Z2024-03-28T14:16:37Z„Blaski Miltonowskiego utraconego raju”. Obraz przeszłości w pisarstwie Henryka SienkiewiczaAdamek-Świechowska, Adriannahttp://hdl.handle.net/11089/210942018-02-01T11:21:10Z2016-01-01T00:00:00Z„Blaski Miltonowskiego utraconego raju”. Obraz przeszłości w pisarstwie Henryka Sienkiewicza
Adamek-Świechowska, Adrianna
The article deals with the analysis of the artistic and the ideological assumptions of the constructing the literary image of the past in point of view of Henryk Sienkiewicz in connection with his polemic against Włodzimierz Spasowicz in the context of the discussion of the 19th-century about the values of historical novel. In the theoretical declarations the author pays major attention to the hypnotic charm of the past which he named „the brilliane of Milton’s paradise lost” and references to the great poetry of romanticism. In the writer;s programme intentions the literary works should presented the ideological versions of the myth of the Polish past during the period of national slavery. Sienkiewicz focuses on subjective experiences of his fictional heroes, connects existential and historical dimensions of human life, looking for semantic mechanisms of history. The analysis of the writer’s outlook on life concentrating on the universal questions like the sense of life, the essence of world, the human’s nature and the hierarchy of values. The article attempts to show that the absolute values existence depends on the memory of the past.
2016-01-01T00:00:00ZOnomastyczne tropy dekadentyzmu. Nazwy własne w Bez dogmatu Henryka SienkiewiczaRejter, Arturhttp://hdl.handle.net/11089/210922018-02-01T11:21:10Z2016-01-01T00:00:00ZOnomastyczne tropy dekadentyzmu. Nazwy własne w Bez dogmatu Henryka Sienkiewicza
Rejter, Artur
Proper names should be recognized as a significant factor of a literary character and in broader perspective of bringing closer the novel problems. The main novel character, Leon Płoszowski, percepts and sense the world through the self-analysis and analysis of the reality surrounding him. Proper names above all emphasize two features: erudition and cosmopolitism of the novel character. His formation and contact through the years with high culture do not help him to put the world – both: one inside and one outside him – in order, but all of this remains a stigma in a form of association everything with art, literature, philosophy etc. It is confirmed in the novel by numerous proper names. The fact that proper names in basic for Leon Płoszowski characteristics places in the novel apply mostly to the past, causes that they form sort of „onomastic museum”.
2016-01-01T00:00:00ZWanitatywne obrazy ludzkiej egzystencji w powieściach historycznych Henryka SienkiewiczaKowalkiewicz-Kulesza, Agnieszkahttp://hdl.handle.net/11089/210932021-07-07T09:56:05Z2016-01-01T00:00:00ZWanitatywne obrazy ludzkiej egzystencji w powieściach historycznych Henryka Sienkiewicza
Kowalkiewicz-Kulesza, Agnieszka
The following article highlights the problem of vanity of human life. Analysis of the historical novels by Sienkiewicz explains the fragility and impermanence of heroes’ lives. An important aspect of the article is the theme of death, seventeenth-century war, pain and martyrdom of early christians.
2016-01-01T00:00:00ZWyobrażenie miasta i mieszczaństwa w języku Sienkiewiczowskiej TrylogiiPałucka-Czerniak, Iwonahttp://hdl.handle.net/11089/210912018-02-01T11:21:10Z2016-01-01T00:00:00ZWyobrażenie miasta i mieszczaństwa w języku Sienkiewiczowskiej Trylogii
Pałucka-Czerniak, Iwona
The aim of this paper is to reconstruct the image of the role of the city and bourgeoisie in the seventeenth century, settled in the Trilogy of Henryk Sienkiewicz. The lexemes naming the city appear in the definitions of the various terms of space, they serve its scratching. The reader, however, must complement a spatial arrangement drawn up by the storyteller. Imaging the city is followed by the exploitation of key words, which name the elements of the architecture of the city. The lexemes specifying the residents of the city, their activities and competitions appear sporadically. Quite often H. Sienkiewicz exploits anthropomorphisation efforts and metonymy, applied to the conceptual category of the city, which allows to talk about the features and social functions of the middle class. The lexicon associated with the city shows that, seen from the perspective of a noble, is a symbol of a self-sufficient residence that fills many needs of a noble: it provides money, soldiers, goods, serves as a refuge in times of war or bad weather, can resist the invaders. A noble point of view of the narrator is also expressed in attention to a defensive function of the city and the brave or cowardly attitudes of townspeople. A full overview of the lexical resource serving the definition of the city and the bourgeoisie reveals, in addition to standard and repetitive efforts also non-standard ones, breaking stereotypes, heterogeneous and difficult to classify. It is manifested in the exis by a large group of colocations, which occur at a time. Language creation of the middle class is on the one hand firmly schematic, and surprisingly unique on the other hand.
2016-01-01T00:00:00Z