Przeglądaj Text Matters: a journal of literature, theory and culture nr 9/2019 według tytułu
Wyświetlanie pozycji 4-23 z 25
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Heresy and Orthodoxy Now: The Zigzagging Paths of the Lawful
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)In this article I consider a certain characteristic of our times as a “secular age,” namely, a series of complications in our understanding of transgression. Transgression implies the presence of some rules and laws which ... -
Joe Brainard’s "I Remember", Fragmentary Life Writing and the Resistance to Narrative and Identity
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)Paul Ricoeur declares that “being-entangled in stories” is an inherent property of the human condition. He introduces the notion of narrative identity—a form of identity constructed on the basis of a self-constructed ... -
“Let me hear Thy voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)The article engages with the protagonist of The Secret Gospel of Mary Magdalene by Michèle Roberts, first published in 1984 as The Wild Girl. Filipczak discusses scholarly publications that analyze the role of Mary Magdalene, ... -
Liminal Space in J. G. Ballard’s "Concrete Island"
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)This article explores the way in which surrealist techniques and assumptions underpin spatial representations in Ballard’s Concrete Island. With much of Ballard’s fiction using spatiality as an ideologically charged ... -
The Lynching and Rebirth of Ned Buntline: Rogue Authorship during the American Literary Renaissance
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)Though largely unknown today, “Ned Buntline” (Edward Zane Carroll Judson) was one of the most influential authors of 19th-century America. He published over 170 novels, edited multiple popular and political publications, ... -
Men Without Fingers, Men Without Toes
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” ... -
New Versions of Roguery
(Wydawnictwo Uniwersytetu Łódzkiego, 2019) -
Of Grim Witches and Showy Lady-Devils: Wealthy Women in Literature and Film
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)Imagining super rich women in the real and fictional world has long been a struggle. Those few depictions that do exist are scattered across time periods and literary genres, reflecting the legal restrictions that, at ... -
On Unruly Text, or Text-Trickster: Leslie Marmon Silko’s "Ceremony" as Healing
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)The article discusses Leslie Marmon Silko’s Ceremony with a focus on textual manifestations of the figure of the trickster. The theme of shape-shifting and transformation that one usually associates with tricksters is ... -
The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s "Scorpio Rising" and Steven Spielberg’s "Duel"
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)The paper analyzes the ways in which Kenneth Anger’s Scorpio Rising (1963) and Steven Spielberg’s Duel (1971) draw on and challenge selected road movie conventions by adhering to the genre’s traditional reliance on cultural ... -
Review of "White" by Bret Easton Ellis
(Wydawnictwo Uniwersytetu Łódzkiego, 2019) -
“A right kind of rogue”: Lisa McInerney’s "The Glorious Heresies" (2015) and "The Blood Miracles" (2017)
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)The following article analyzes two novels, published recently by a new, powerful voice in Irish fiction, Lisa McInerney: her critically acclaimed debut The Glorious Heresies (2015) and its continuation The Blood Miracles ... -
The Rogue as an Artist in Patrick deWitt’s "The Sisters Brothers"
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)This article explores Eli Sisters as a reinvigorated rogue who finds his artistic calling in Patrick deWitt’s The Sisters Brothers, published in 2011. With the help of insights from narratology and genre theory, the article ... -
Roguish Self-Fashioning and Questing in Aleksandar Hemon’s “Everything”
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)This paper examines self-fashioning in Aleksandar Hemon’s “Everything,” a story about a Sarajevo teenager’s journey through ex-Yugoslavia to the Slovenian town of Murska Sobota. His aim? “[T]o buy a freezer chest for my ... -
“Same Old Ed, . . . Uncommitted”: BMW Socialism and Post-Roguery in Guy Vanderhaeghe’s Early Fiction
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)In this paper I assess how Guy Vanderhaeghe’s early fiction criticizes the class-based and civil movements of post-1960s Saskatchewan through the recurring character of Ed. The protagonist of “Man Descending” and “Sam, ... -
Spaces of (Re)Connections: Performing Experiences of Disabling Gender Violence
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)The article explores the potential “healing” role performance art can have when representing disabling trauma, and engaging, as part of the creative process, participants who have experienced in their lives significant ... -
Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)It was in the mid-twentieth century that the independent theatrical form based entirely on improvisation, known now as improvisational/improvised theatre, impro or improv, came into existence and took shape. Viola Spolin, ... -
Three Layers of Metaphors in Ross Macdonald’s "Black Money"
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)In his early career, Kenneth Millar, better known as Ross Macdonald, emulated the style of Dashiell Hammett and Raymond Chandler. By the 1960s he had established himself as a distinct voice in the hardboiled genre. In his ... -
What Ever Happened to My Peace of Mind? Hag Horror as Narrative of Trauma
(Wydawnictwo Uniwersytetu Łódzkiego, 2019)In his pioneering study of Grande Dame Guignol (also referred to as hag horror or psycho-biddy), a female-centric 1960s subgenre of horror film, Peter Shelley explains that the grande dame, a stock character in this form ...