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dc.contributor.authorBerman, Patricia G.en
dc.date.accessioned2018-04-03T11:45:30Z
dc.date.available2018-04-03T11:45:30Z
dc.date.issued2017-10-25en
dc.identifier.issn2084-574Xen
dc.identifier.urihttp://hdl.handle.net/11089/24394
dc.description.abstractThis article is an edited version of the response paper offered at the conclusion of the symposium, Modern Sensibilities. It ties together themes from the symposium papers, as well as ideas prompted by Mieke Bal’s exhibition, Emma & Edvard: Love in the Time of Loneliness, and her accompanying book, Emma and Edvard Looking Sideways: Loneliness and the Cinematic. It focuses on the anachronistic entanglements among Flaubert’s “Emma,” Munch’s motifs, Mieke Bal and Michelle Williams Gamaker’s Madame B, the Munch Museum’s architecture and exhibition scenography, and the exhibition viewer.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesText Matters;7en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0en
dc.subjectMunchen
dc.subjectBovaryen
dc.subjectdesireen
dc.subjectentanglementen
dc.titleResponding to Modern Sensibilities: Emma and Edvard Entangleden
dc.page.number145-159en
dc.contributor.authorAffiliationWellesley Collegeen
dc.referencesAlphen, Ernst van. “Modernity as a Crisis of the Senses.” Modern Sensibilities Conference, 23–24 March 2017, Munch Museum, Oslo. Lecture.en
dc.referencesBal, Mieke. “Ecstatic Aesthetics.” Compelling Visuality: The Work of Art in and Out of Art History. Ed. Claire J. Farago and Robert Zwijnenberg. Minneapolis: U of Minnesota P, 2003. 1–30. Print.en
dc.referencesBal, Mieke. Emma and Edvard Looking Sideways: Loneliness and the Cinematic. New Haven: Yale, 2017. Print.en
dc.referencesBal, Mieke and Michelle Williams Gamaker. Madame B. Video Exhibition. Oslo: Munch Museum, 2017.en
dc.referencesBarthes, Roland. “From Work to Text.” Image—Music—Text. Trans. Stephan Heath. New York: Hill, 1977. 155–64. Print.en
dc.referencesBerman, Patricia G. “The Many Lives of Edvard Munch.” Edvard Munch: Catalogue Raisonné. Ed. Gerd Woll et al. Oslo: Cappelen Damm Forlag and Munch Museum, 2008. 1277–93. Print.en
dc.referencesCuller, Jonathan. “Flaubert’s Provocation.” Modern Sensibilities Conference, 23–24 March 2017, Munch Museum, Oslo. Lecture.en
dc.referencesDidi-Huberman, Georges. Images in Spite of All: Four Photographs from Auschwitz. Chicago: U of Chicago P, 2008. Print.en
dc.referencesEndresen, Signe. “Serial Experiments: Close-Readings of Edvard Munch’s Det grønne værelset (1907).” Diss. U of Oslo, 2015. Print.en
dc.referencesFerrer, Eun-Jin Strand. Message to the author. 8 May 2017. E-mail.en
dc.referencesFreud, Sigmund, “The ‘Uncanny.’” Pelican Freud Library. Ed. James Strachey. Vol. 14. Harmondsworth: Pelican, 1985. 339–76. Print.en
dc.referencesGjesdal, Kristin. “Acting Modern: Art and Love in Ibsen and Munch.” Modern Sensibilities Conference, 23–24 March 2017, Munch Museum, Oslo. Lecture.en
dc.referencesHeller, Reinhold. Munch: His Life and Work. Chicago: U of Chicago P, 1984. Print.en
dc.referencesHernández Navarro, Miguel Ángel. “Time for Emotions: Anachronism and Expansion in Flaubert / Bal & Williams Gamaker / Munch / Knausgård.” Modern Sensibilities Conference, 23–24 March 2017, Munch Museum, Oslo. Lecture.en
dc.referencesPollock, Griselda. “Staging Subjectivity: Charlotte Salomon Reading Munch.” Modern Sensibilities Conference, 23–24 March 2017, Munch Museum, Oslo. Lecture.en
dc.referencesRoberts, Jennifer L. “The Power of Patience.” Harvard Magazine (Nov.–Dec. 2013): 40–43. Print.en
dc.referencesRøed, Kjetil. “The Best Munch Exhibition I Have Ever Seen!” Aftenposten.no. Aftenposten 27 Jan. 2017. Web. 20 Mar. 2017.en
dc.referencesSteegmuller, Francis. The Letters of Gustave Flaubert, 1830–1857. London: Belknap, 1980. Print.en
dc.referencesTempleton, Joan. Munch’s Ibsen: A Painter’s Vision of a Playwright. Seattle: U of Washington P, 2008. Print.en
dc.referencesTherborn, Göran. “Entangled Modernities.” European Journal of Social Theory 6.3 (2003): 293–305. Print.en
dc.referencesŽižek, Slavoj. The Plague of Fantasies. London: Verso, 1997. Print.en
dc.contributor.authorEmailpberman@wellesley.eduen
dc.identifier.doi10.1515/texmat-2017-0008en


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