Pokaż uproszczony rekord

dc.contributor.authorGjesdal, Kristinen
dc.date.accessioned2018-04-03T11:45:29Z
dc.date.available2018-04-03T11:45:29Z
dc.date.issued2017-10-25en
dc.identifier.issn2084-574Xen
dc.identifier.urihttp://hdl.handle.net/11089/24390
dc.description.abstractAmong Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose a different motif for his commission, it is nonetheless significant that he found it appropriate to portrait the Norwegian dramatist in the company of key European philosophers, indeed the whole span of the European philosophical tradition from its early beginnings to its most controversial spokesman in the late 1800s. In my article, I seek to take seriously Munch’s bold and original positioning of Ibsen in the company of philosophers. Focusing on Hedda Gabler—a play about love lost and lives unlived—I explore the aesthetic-philosophical ramifications of Ibsen’s peculiar position between realism and modernism. This position, I suggest, is also reflected in Munch’s sketches for the set design for Hermann Bahr’s 1906 production of the play.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesText Matters;7en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0en
dc.subjectMunchen
dc.subjectIbsenen
dc.subjectHedda Gableren
dc.subjectaestheticsen
dc.subjectnineteenth-century philosophyen
dc.titleImagining Hedda Gabler: Munch and Ibsen on Art and Modern Lifeen
dc.page.number71-86en
dc.contributor.authorAffiliationTemple Universityen
dc.referencesAdorno, Theodor W. Minima Moralia: Reflections from Damaged Life. London: Verso, 2010. Print.en
dc.referencesBrandes, Georg. Henrik Ibsen. København: Gyldendal, 1906. Print.en
dc.referencesFerguson, Robert. Ibsen: A New Biography. London: Richard Cohen, 1996. Print.en
dc.referencesFischer-Lichte, Erika. “Ibsen’s Ghosts: A Play for All Theatre Concepts.” Ibsen Studies 7 (2007): 61–83. Print.en
dc.referencesGjesdal, Kristin. Ibsen’s Hedda Gabler: Philosophical Perspectives. Oxford: Oxford UP, 2017. Print.en
dc.referencesGosse, Edmund. “Ibsen’s New Drama.” Rev. of Hedda Gabler, by Henrik Ibsen. Ibsen.nb.no. Nasjonalbiblioteket 27 Feb. 2006. Web. 1 June 2017.en
dc.referencesIbsen, Henrik. “Emperor and Galilean.” Henrik Ibsens Skrifter. Ed. Vigdis Ystad et al. Trans. Modified. Vol. VI. Oslo: Aschehoug, 2005–2010. Print.en
dc.referencesIbsen, Henrik. “Hedda Gabler.” Four Major Plays: A Doll’s House, Ghosts, Hedda Gabler, The Master Builder. Ed. James McFarlane. Trans. James McFarlane and Jens Arup. Oxford: Oxford UP, 1998. Print.en
dc.referencesIbsen, Henrik. “Hedda Gabler.” Henrik Ibsens Skrifter. Ed. Vigdis Ystad et al. Trans. Modified. Vol. IX. Oslo: Aschehoug, 2005–2010. Print.en
dc.referencesIbsen, Henrik. “Tale Ved Fest I Stockholm 24 September 1887.” Ibsen.uio.no. Universitetet i Oslo: Henrik Ibsens Skrifter. Web. 1 June 2017.en
dc.referencesInnes, Christopher, ed. Henrik Ibsen’s “Hedda Gabler”: A Sourcebook. London: Routledge, 2003. Print.en
dc.referencesLathe, Carla. “Edvard Munch’s Dramatic Images 1892–1909.” Journal of the Warburg and Cortauld Institutes 46 (1983): 91–206. Print.en
dc.referencesMarker, Frederick J., and Lise-Lone Marker. Ibsen’s Lively Art: A Performance Study of the Major Plays. Cambridge: Cambridge UP, 1989. Print.en
dc.referencesMøller, Liz. “The Analytical Theater: Freud and Ibsen.” The Scandinavian Psychoanalytic Review 13 (1990): 112–28. Print. doi: 10.1080/01062301.1990.10592247en
dc.referencesNabokov, Vladimir. Lolita. London: Penguin, 1997. Print.en
dc.referencesSousa, Elisabethe M de. “Eugéne Scribe: The Fortunate Authorship of an Unfortunate Author.” Kierkegaard and the Renaissance and Modern Traditions. Tome III: Literature, Drama, and Music. Ed. Jon Stewart. Farnham: Ashgate, 2009. Print.en
dc.referencesTempleton, Joan. Munch’s Ibsen: A Painter’s Visions of a Playwright. Seattle: U of Washington P, 2008. Print.en
dc.referencesTysdahl, Bjørn J. Joyce and Ibsen: A Study in Literary Influence. Oslo: Norwegian UP, 1968. Print.en
dc.contributor.authorEmailkgjesdal@temple.eduen
dc.identifier.doi10.1515/texmat-2017-0004en


Pliki tej pozycji

Thumbnail

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.